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I do not do shop tours my shop is small, thankfully busy and frequently dustier than I would like and while I do quite a bit of set up and fast repairs while clients wait, there really isnвЂ™t a hang out area.

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I do not have the space or time with my current shop workload and population, plus there are liability considerations. I do not know of anyone offering apprenticeships in luthierie that is a tough thing to come by. It is flattering that folks ask though, so thank you! I have had many similar inquiries over the years, but I am currently not in a position to accept an apprentice. This is most of a reply to a mom inquiring on behalf of her son with some additional information included as well.

Just like playing guitars, modding, repairing and building them is very interesting as well and folks want to learn about these topics.

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Sometimes I am asked if I am hiring, if I need help around the shop in any capacity, if I will take an apprentice, if I teach what I know to others, how to start a repair business and generate work. Luthierie Internship and School Considerations With A Little Robotic Help, Luthier Phil Jacoby is Tuning Up Baltimore One Guitar At a Time As part of my continuing education in lutherie, I am a member of both the Guild of American Luthiers and the Association of String Instrument Artisans. As of January 2002, I am achieving my dream of operating my own independant repair shop.

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This grew into a full time shop at this location. While at PRS, I started repairing instruments for Master Musicians. John has been with Paul Smith since the West Street loft days (1980?) and has a hand in the R & D as well as Private Stock and artist instruments. While learning more about production, design and finishing, I befriended John Ingram, PRSвЂ™ warranty/repairman. Upon completion of my BA, I attended Roberto-Venn School of Luthiery where I built an OM style acoustic, a set neck semi-hollow Tele style electric and my first custom order, a 5 string bass in addition to refining some repair techniques.ДЄfter Roberto-Venn, I went to work for Paul Reed Smith Guitars, Ltd. During this time I also played a lot of gigs (somewhere around 500вЂ¦) doing modern and jump blues, hard and post bop, big band jazz, classic and modern rock and made a full length CD with Sancho Clemente, a college dance latin funk rock band. Jerry has over 20 years in lutherie, and has made custom pieces for Jeff Skunk Baxter and Bert Campbell of Toucan Eddie, among others. While pursuing a Bachelor of Arts in Music at Northern Arizona University in Flagstaff, AZ, I apprenticed under luthier Jerry Korkki at JK Guitars. My curiosity about music and guitars led to much tinkering and experimenting on my own instruments. After being seduced into music by Jimi Hendrix and the blues and later jazz, country and pop, I wanted to make my guitar feel and sound better.

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